É o verdadeiro símbolo da chegada da primavera por aqui, e não é por nada, mas o restaurante desta nossa amiga tem uma das maiores plantações de glicínias da região!

Enjoy!

This movie has a strange story. I was responsible for the casting and had to find 3 African Americans, 3 blonds, and 3 brunettes to star in this movies for a great jeans company, naked from the hip up…had to find 6 boys to match them but that was easy!

After I did it and arrived at the stage, my head and eyes turned upside down. The cinematographer was late, so, I did his job. When he arrived he used everything I had planned without a word.

I know it’s an old job, but Ademir sen it to me on a day I was….loosing it.

Thank you my friend.

On a Wednesday  they ask me to find, for a Faber Castell movie, 5 boys that had to grow up and resemble one another! Well…deadline was Monday. In 48 hours I did my job, asking myself even today HOW I did it…

Ademir, editing, was astouned! Always Fathom Filmes.

Ademir editing, me just casting…

In Italiano: leggete solo le linee di mezzo.

English: read only the third lines.

From Hitchcock’s Stage Fright: ” I’m the laziest girl in town….”

Soundtrack: Revolutionary Etude in C minor, Op 10, No 12 - Chopin

Soundtrack: Moonlight Becomes You - Chat Baker

Soundtrack: Winter - Vivaldi

Ele vai mostrar os “livrinhos” das festas que aconteciam entre 1600 e 1700 em Veneza. Os convidados, como estavam postas as mesas e até as receitas do que foi servido.

E os escrutinhos da eleição do ultimo Doge da Republica de Veneza, 1794

De lambuja o manuscrito original de sonatas de Benedetto e Alessandro Marcello do qual Haydin se serviu para fazer a reforma musical. http://www.casadodespertar.org/CIV/Concepcao/Parte5/CONCEPCAO_CONSCIENTE5.htm

Um detalhe interessante. Esta biblioteca NUNCA foi filmada apesar das propostas da NAT Geo e outras…o Girolamo é bastante ciumento de suas obras e é, entre outras coisas o Keeper de toda a história politica e financeira da republica veneziana.

Só não consegui colocar nesta edição uma coisa engraçada (filmado por mim que tremo feito vara verde o que saiu já é milagre!), um documento que ele encontrou escondido na parede de um de seus palácios, enquanto reformava para virar hotel: é uma apólice de seguro feita por uma MULHER dona de uma empresa de seguro, em 1623, assegurando um cargo de especiarias…

Enjoy!

Soundtrack: Oboe Concerto in C Minor, adagio - Alessandro Marcello

Soundtrack: Forbidden Colors - Ryuichi Sakamoto

Soundtrack: Send me an angel - Scorpions

MEDIA EFFECTS ON DEPRESSIVE SUBJECTS For communication based on neuroethics

A long time ago we looked at a tree. We heard the wind passing through its branches, we felt the different textures in the touch of it, and we smelled the wood’s aroma. We looked at the tonalities, the colors of leaves changing with the moving sun, its shade sliding into different places.

Today we don’t look at the tree anymore, but to an image of it. Through analogical or digital filters, now the tree is inside our house confined in a box. If we try to touch it we feel the cold glass of a TV set. The wind’s sound arrives stereo, and we can increase or decrease it. Its aroma will be that of the moment, perhaps of an environment deodorant, perhaps of the kitchen’s food. We will choose the intensity of colors from the remote control.

We have become small gods playing with nature. We don’t see, hear or feel reality any more, but an image of it.

PHASES AND CONSTRUCTION FOR THE RESEARCH

We start from the premise that to understand the effects of image, sounds and smells in the human being, we have to build parallel horizontal time-lines divided in generations, to be analyzed vertically:

a) The construction of communication filters from pre history up to our days

b) The use of pharmacology, from herbal to actual chemistry, food, drinks and drug use, the discoveries of medicine

c) The social behavior

The construction of these time-lines will allow us to verify the effect and the cause of various media types, their content, colors, forms, shapes and sounds, so that we can build a new integrated communication with science, based on objective ethics and not more subjective ones.

Ex: A form of filter, the journalism. [Part of a)]

Did hieroglyphs scribes, journalists of an era, told us through their points of view facts of life or their imaginary view of it? We will never know using old analytical tools. Only through the analysis of their drown symbols left by them we can deduce the solidity of content. ———–

Research proposal to the Center of Neuroscience - University of Ferrara. Proponent: Paola Victorelli e-mail: alienista@yahoo.com © Copyright 2002 - Instituto Magna Mater – Paola Victorelli

Centro di neuroscienze di Ferrara